10. Quietly fingerpicked acoustic guitars will be recorded as cleanly as through a condenser mic. The old silver casing has been replaced with the new black outer. You may also experiment with ribbons and dynamics for funky results. Plus, an increased gain range for these power hungry microphones. Hedge's concern about the ability of the microphone to handle the sheer volume of some guitar amps is echoed by several of the other producers, who make a point of mentioning that they switch in a condenser's 10dB pad when recording electric guitars. The mic and pre-amp choice: A lot of this has to do with the quality of gear, but generally, condenser mics are preferred due to their heightened sensitivity. I love the R84A on guitar amps as a close mic, a distant mic, and everything in between. But, by far, the coolest thing about ribbon mics is their unique non-linearity, which ribbon mic manufacturers (and evangelists) such as Royer and AEA describe this way: “Ribbon mics hear like your ears.” Although this isn’t entirely true, the sonic output of a ribbon mic is remarkably honest and accurate. A new feature is the Ribbon mic mode. Royer R-Series ribbon microphones are known around the world as the first-call mics for electric guitar. It is rugged and well built and will therefore not only be an asset in the studio but on the road. It is also rack-mountable if required. A typical solution is to pair differently colored mics together. Royer R121. The R84A is an active ribbon mic which gives the mic more output, resulting in a much quieter mic. Except it will sound like a ribbon! 10 Ways To Mic a Guitar Amp with Brian Deck. you can sub other condensors for the tlm-103, but something full and a spec sparkly is good since it is pretty different from the bk5a (focused, intense, very very accurate but very little proximity effect and none of that thick bass that cheap ribbons over-emphasize (not that I dislike thick bass, just not what I want on a guitar cab in most situations). Experiment with different placements for each mic, and try … Blending Multiple Mics. Recording the acoustic guitar, for which the ribbon mics with an extended top end performed well. Sometimes, engineers find they can’t get their desired sound with a single microphone. This allows increased input impedance and bypass of phantom power when using one. The most common combination is a bright mic (like a Shure SM57) and a dark mic (like a Sennheiser MD421).
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